EGOBATH is a minimalist rendition of the classic sanitary furnishing, using white corian as main and sole material.

The collection seeks to explore the infinite possibilities in creating with simple shapes and volumes, through a series of geometric intersections, juxtapositions and cut-outs.  The result consists in cohesive compositions – from simple to complex – proof of Gestalt theory in which ‘the whole is greater than the sum of its parts’.

EGOBATH is a minimalist rendition of the classic sanitary furnishing, using white corian as main and sole material.

The collection seeks to explore the infinite possibilities in creating with simple shapes and volumes, through a series of geometric intersections, juxtapositions and cut-outs.  The result consists in cohesive compositions – from simple to complex – proof of Gestalt theory in which ‘the whole is greater than the sum of its parts’.

EGOBATH is a minimalist rendition of the classic sanitary furnishing, using white corian as main and sole material.

The collection seeks to explore the infinite possibilities in creating with simple shapes and volumes, through a series of geometric intersections, juxtapositions and cut-outs.  The result consists in cohesive compositions – from simple to complex – proof of Gestalt theory in which ‘the whole is greater than the sum of its parts’.

EGOBATH is a minimalist rendition of the classic sanitary furnishing, using white corian as main and sole material.

The collection seeks to explore the infinite possibilities in creating with simple shapes and volumes, through a series of geometric intersections, juxtapositions and cut-outs.  The result consists in cohesive compositions – from simple to complex – proof of Gestalt theory in which ‘the whole is greater than the sum of its parts’.

EGOBATH is a minimalist rendition of the classic sanitary furnishing, using white corian as main and sole material.

The collection seeks to explore the infinite possibilities in creating with simple shapes and volumes, through a series of geometric intersections, juxtapositions and cut-outs.  The result consists in cohesive compositions – from simple to complex – proof of Gestalt theory in which ‘the whole is greater than the sum of its parts’.